Membership Has Its Rewards

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The Robert E. Howard Foundation is certainly making membership attractive. Besides receiving a 10% discount on all REHF Press books, which so far includes Rhymes of Salem Town and the newly issued Collected Letters of REH Volume 1, the “Friends of REH” and “Legacy Circle” members are even now receiving the first issue of the Foundation’s newsletter. Collectors take heed: the newsletter contains the first appearance of an alternate version of “Rattle of Bones” in a facsimile reproduction of Howard’s typescript pages. Paul Herman, Foundation secretary/treasurer, tells me that they are shooting for four issues this year. He also said that all surplus copies will be destroyed at year’s end — I wouldn’t count on seeing these things on eBay anytime soon.

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Legacy Circle members also received some extra items to thank them for their support. This year’s Howard Days hosted the first ever Foundation luncheon for Legacy Circle members. This small cohort of Howard fans received copies of the typescript pages of an early draft of “Wild Water,” a booklet of poetry, Rhymes of Texas (with an introduction by James Reasoner), as well as a 2007 membership pin. It’s good to be in the Circle.

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LEO ADDS: Yep, foundation members were very happy campers at Howard Days. And the luncheon in question wasn’t the usual ad-hoc Howard House pavilion get together with hot dogs and chips, but a truly decadent spectacle held at one of Texas’ finest Bed & Breakfasts near Lake Brownwood. Full coverage in The Cimmerian‘s August issue.

V4n3 heading your way

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Within the next few days, at least. Until then, check out some excerpts here. For those of you who recoiled at the negativity inherent in the last issue, this one should serve as a welcome salve. Lots of food for thought. I daresay the Shovlin piece is arguably the single best thing on Solomon Kane ever written.

Some REH recommendations

At this year’s Howard Days I was struck by the quality of some of the publications debuting there, and thought I’d pass on my thoughts to the Howardian public.

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Over the last year Damon Sasser, a good friend of The Cimmerian, has actively striven to improve his flagship publication REH: Two-Gun Raconteur in a variety of ways. From soliciting more thoughtful articles to starting a blog for Howard-related news, he’s taking the best that the 1970s fanzine heyday had to offer — lots of art, rare Howard originals — and fusing it with the more scholarly, serious tone of the modern era. I note that Damon has re-christened his magazine from “The Definitive Howard Fanzine” to “The Definitive Howard Journal.” A small change, but it hints at the subtle improvements quietly executed behind the scenes.

The result of all this tinkering is a blend and accessibility that no other Howard publication can match. For those who value rare Howard stories, poems, and fragments, the latest ish contains REH’s “A Touch of Color,” published previously only in the nearly impossible-to-find chapbook Pay Day. Canadian Charles Saunders, one of fantasy’s primordial black talents, brings his vast store of knowledge on African history to bear on Howard’s Hyborian Age. Danny Street tells you everything you’d want to know about Howard’s conception of the alluring, poisonous flower known as the Lotus. Morgan Holmes reviews a new Conan comic, and Cimmerian stalwarts Leon Nielsen and Rob Roehm fill out the issue with even more articles. The artists include recent Cimmerian Award winner and REHupa Official Editor Bill Cavalier.

Whether you are a comic-book loving, RPG-playing fan, or an academic intent on studying Howard as a classic American writer, there is something for you in REH: Two-Gun Raconteur #11.

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There’s been a lot of bagging on the publications put out by the Robert E. Howard Foundation of late, but it looks as if things are turning around. This latest book, which was handed out to subscribers of the series at Howard Days, suffers from none of the deficiencies of A Rhyme of Salem Town and Other Poems. Well, I still blanch at the cover — comic book imagery, no matter how skilled, subliminally infantilizes the thoughts within, whereas a sepia-toned photograph would have lent an aura of Golden Age class and distinction to those same thoughts. But the book itself is meaty, well-formatted, and filled to the brim with previously unpublished REH.

If you are the proud owner of the two-volumes of Necronomicon Press’ Selected Letters of REH, you frankly will be astounded by all of the new material on display here. The claim made by Robert M. Price in the Introduction to Volume 2 of Necro’s Selected Letters — that, unlike Lovecraft, Howard fails to reveal his true personality in his correspondence — is destroyed once and for all in a flurry of new revelations and insights into the mind of the Father of Sword-and-Sorcery. And to think that this treasure chest of riches in only the first of three set to appear this year. It’s an achievement.

My guess is that by the time this project is finished, REH’s three volumes of correspondence will have opened up as many doors to further study as Lovecraft’s five-volume series did back in the day. The publication of such a project, and the intrinsic fascination of the letters within, is a massive confirmation of Howard’s value and interest as an author worthy of, and capable of absorbing and rewarding, serious study. This is the kind of thing that tends to shake loose all kinds of scholarship that would otherwise never have been written. It’s a galvanizing force in the field, and I predict that old and new Howard fans alike will find much within these books that will spur them on to new explorations of the Texan’s fiction.

The mental picture we have of Howard is about to become much richer and more complex, exactly as Lovecraft’s did when his own letters were published. Howard’s was a serious, thoughtful, brilliant mind, and learning about how his personal life and experiences crept into (and often overwhelmed) his fiction can only improve one’s evaluation of his artistry. The snide criticisms and flippant dismissals of yesteryear keep looking sillier and sillier in the face of such books.

A clarification and an apology

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In a previous post, I reprinted a well-written article by Cross Plains resident Ginny Hoskins, discussing the recent speech and signing TC blogger Mark Finn gave in that town recently. Within the post Steve and I made a few corrections to the article, in the process lamenting the frequent inaccuracies to be found in REH write-ups by journalists.

While in Cross Plains for this year’s Howard Days, Ginny told me that in actuality she had been especially careful to quote Mark exactly and to get all of her facts right, and Mark agrees that any minor errors in the article were due not to reporter negligence but to the all-too-common pitfalls of talking live off the top of one’s head. In light of this, I apologize to Ginny for our somewhat petty fan-geek grumbling about the article, and will be more careful next time when pointing out minor quibbles in such pieces. Sorry Ginny, and many thanks for letting us reprint your REH write-ups.

2007 Cimmerian Awards Results Announced

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Finally back home from Cross Plains, and sick as a dog from a throat/nose bug caught while suffering from the usual Howard Days dehydration and lack of sleep. But the Friday night Cimmerian Awards went off well, and now that they have been officially announced I have posted the winners here on our site. There is a lot of trivia and anecdotes to go along with this list, all of which will be explicated in the annual Awards issue available later this summer.

Here is the list of winners:

The AtlanteanOutstanding Achievement, Book By a Single Author
MARK FINN, for Blood & Thunder: The Life and Art of Robert E. Howard

The Valusian Outstanding Achievement, Anthology
DENNIS McHANEY, for The Man from Cross Plains: A Centennial Celebration of Two-Gun Bob Howard

The Hyrkanian Outstanding Achievement, Essay
First Place: BILL CAVALIER, for “How Robert E. Howard Saved My Life” (from The Cimmerian V3n6)
Second Place: STEVE TOMPKINS, for “The Shortest Distance Between Two Towers” (from The Cimmerian V3n3)
Third Place: JOHN HAEFELE, for “Skull-Face and Others at Sixty” (from The Cimmerian V3n9)

The AquilonianOutstanding Achievement, Periodical
LEO GRIN, for The Cimmerian Volume 3

The StygianOutstanding Achievement, Website
MARK FINN, LEO GRIN, ROB ROEHM, STEVE TOMPKINS: The Cimmerian Blog

The Venarium Award Emerging Scholar
JOHN HAEFELE

The Black River AwardSpecial Achievement
DON HERRON, for finding both the original Kline typescript to A Gent from Bear Creek and the collection of books owned by Dr. I. M. Howard.

The Black Circle AwardLifetime Achievement
RUSTY BURKE and DON HERRON (tie), dual inductees.

The Black Circle Award2008 nominee
NOVALYNE PRICE ELLIS, (posthumous)

As you can see, our bloggers here at TC Central are well represented: Steve Tompkins is now the only guy with two Best Essay awards to his credit, and fellow TC blogger Mark Finn took home top honors for his biography even as it prepares to compete in both the Locus and World Fantasy balloting. The blog itself snagged Best REH Website of the Centennial year. I was heartened by the number of people who told me that they check this blog several times a day hoping for new content, and I’m going to attempt to ensure that postings here become steadily more frequent and substantive.

Remember, if you picked up your June issue of TC in Cross Plains, drop me a line so I don’t send you a duplicate copy in the coming days. For the rest of you, expect the June issue to hit your mailboxes within a week or so. No rest for the wicked — now it’s off to prepare the August issue, as well as the 2007 Awards, issue, the 2006 Index, and the 2006 slipcases (which as of now look like they will be in my hands in early July).

Thanks to everyone who helped make 2006 the amazing year that it was for Howard fandom.

Homeward Bound

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Driving home from Howard Days isn’t as great as some might think. Don Herron and I encountered quite a bit of wild weather as we crossed Texas (see above). We’re down for the night in western New Mexico. Next year, I’m flying.

Whole Lotta Waiting Going On

It’s a waiting game hereabouts. Waiting for the choicest anecdotes from the 2007 Howard Days (Were Leo ever to have a flashback to film school, the Sturm und Drang might surpass last year’s already-legendary Frank Coffman Nam flashback). G-8 summit in Rostock-wise, waiting to see if George W. Bush’s eyeballs will boil in their sockets if he tries to look into Vladimir Putin’s soul again. Waiting to learn if it’s all over for Tony Soprano — drop-kicked by his therapist, his underlings mostly dead or dying, and crouched in a safehouse with only an M-16 to comfort him — as of Sunday night. Here in NYC (against whose hundreds of soldiers Tony’s “glorified crew” in North Jersey stands little chance) we’re routinely assured that the Triads, the Vietnamese, the Albanians, and of course the Russian Mafia are much more dangerous than such Sicilians as have not yet been wiretapped and RICO-Acted into history’s landfill, and yet just this week a Gambino Family captain was hit as he sat in his car outside a Brooklyn social club (Ah yes, the social club — the Wild East’s equivalent of the Wild West’s saloon). Waiting for J. K. Rowling’s (slightly less sanguinary?) grand finale next month. And, most forlornly of all, waiting, thanks to a blog post by Howard Jones, for a samizdat copy of John Hocking’s never-published second Conan novel to find its way Tompkinsward…

One wait is thankfully over, that for REHupa’s June Mailing, #205. Given the consistently target-missing sniping about the “comic book art” of the Wandering Star/Del Rey books, I’m delighted to report that James Van Hise turns over his zine The Road to Velitrium to a sampling of Jim and Ruth Keegan’s ink wash interior illustrations for The Best of Robert E. Howard Volume One. The art hearkens back to the Twenties in general and Weimar Republic poster art in particular, from the interregnum before the cabarets closed and cinema became Goebbels-compliant. A Niord-versus-Satha showdown could be some lost poster for Fritz Lang’s Die Niebelungen: Siegfried, and Kormlada (of “The Grey God Passes” fame) is a bitch goddess who could blow Pola Negri and Theda Bara off the silent-but-silver screen. And I don’t see how Chris Gruber can fail to be pleased by the Keegans’ apotheosis-achieving Mike — this grinning canine could out-bulldog Drummond.

Gary Romeo risks being the pot in a proverbial said-the-pot-to-the-kettle combo by chiding Don Herron for being “a pretty negative guy in the main though,” but partially redeems himself by noting that “Big-nosed girls on covers” are not the optimum “new REH art for a new age” (That Salem Town debacle betokened neither rhyme nor reason, just rhinoplasty-in-waiting). Charles Gramlich is building a second home on Talera. “The Hyborian Age” is the square peg in the round hole of Dale Rippke’s Complete Timeline of Howard’s Fiction. Damon Sasser is purveying typewriter porn. On the evidence of her second zine, Amy Kerr seems unlikely ever to retell “Beyond the Black River” entirely in dog barks, as a notorious-if-not-much-missed female REHupan once did. Morgan Holmes confesses the classic rock past he flashes back to while watching Dazed and Confused. Patrick Burger removes Boston from the turntable and substitutes Shostakovich. Don Herron’s The Carter Collector is clearly what any serious Carterologist needs to acquire next after Tara of the Twilight and Robert M. Price’s Lin Carter: A Look Behind His Imaginary Worlds.

Scotty Henderson’s The Keltic Journal reprints a Castle of Frankenstein review of The Dark Man and Others by one Charles Collins, who way back when anticipated a belief that Jim Charles holds as firmly as he does his handguns: “People of the Dark is the only Conan story in the book, and a rather inferior one at that.” Larry Richter is still righting, or rewriting, the wrongs of de Camp and Carter’s “Black Tears,” and we can but wish him well and hope that he overcomes an apparent compulsion to misspell “Zuagir.” Fresh from reducing the Lion’s Den to an elementary school playground in the April TC, Dennis McHaney slags Larry’s cover for the “Isle of the Eons” TDM and opens our eyes to the fact that the journal in question is “a thing that keeps rearing its ugly head and doesn’t know when to give up and die.”

Me, I think The Dark Man‘s recent covers are breaths of fresh air in what had been a mephitic tomb of overused REH photos, but chalk up yet another one for the miracle of human diversity. An emergency TDM Review Board meeting has been called — members are already sliding down the firehouse-style pole from the Board’s living quarters into the blastproof conference bunker — to determine if there’s any point to continuing without a McHaneyian blessing. Should we pack it in? Or maybe, just maybe, this most incisive of critics will be mollified if we use a cartoon wherein Conan treats Lin Carter’s grave to a golden shower as the next TDM cover.

Lastly, Tim Arney wishes the filmmakers who botched Pathfinder would go sit on a horned helmet, but an actress named Moon Bloodgood, who plays the movie’s proto-Pocahontas, just might have him forgetting all about Bill Cavalier’s missus.

Out the Door

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…to the airport, Austin bound, where I will meet up with Cimmerian contributor Brian Leno and have a nice dinner at Rudy’s BBQ before making the trek northward to Cross Plains. Two of your other Cimmerian bloggers will be there, too, leaving Steve Tompkins here at Cimmerian central to blog by his lonesome.

Stay tuned to this site for some news and pics of the event, especially the results of the 2007 Cimmerian Awards, which will be announced live this Friday evening. Some great races this year, with a wide selection of winners both repeat and new. It’s always cool to see how the vote shakes out, and what is deemed Best of the Year by the most knowledgeable group of Howard fans in existence.

If someone has an internet connection and a laptop, perhaps I’ll be able to arrange for some live blogging during the event. If not, you’ll here more when I get back next week. Until then, in the words of Indy Cavalier: May Crom ignore you.

A Literary Shrine by Any other Name

The Kipling House in Brattlesboro, VT
As most of the REH community girds their respective loins for the annual gathering in Cross Plains, I have an occasion to look back on a writer’s retreat that I made in early May. My fellow retreaters were none other than the original members of Clockwork Storybook (more on them later) and a mutual friend who was quickly inducted into our ranks. The retreat was held in Brattlesboro, Vermont, or rather, just outside those city limits. A sleepy little town of twelve thousand folks, each content to go about their own business in that taciturn way made famous by countless Lovecraft and Lovecraftian stories. But it wasn’t the town that drew us to Brat; it was Nahlauka.

The name means “Priceless Jewel,” or something close to it, in Hindi. It’s the house, of course, and it was designed and built by none other than Rudyard Kipling. Yes, THAT Kipling. In fact, it’s the house that he wrote The Jungle Book in. He lived in Vermont for four years, during which time he played host to other literary figures of the day, including Sir Arthur Conan Doyle. In fact, the golf clubs that Doyle gave Kipling are still in the house.

The entire place has been bought by the Landmark Trust, and meticulously restored to its former glory. The even got Kipling’s toilet, a wooden, baroque, steampunk-looking thing, to work again. You can, in fact, use it.

I stayed in the house for a week, during which time I sat at Mrs. Kipling’s desk and wrote my brains out. I also pawed through Kipling’s library in his study, walked the grounds that he walked, and in general soaked up as much of his shade as I possibly could. If you’ve ever been to the Howard House in Cross Plains, you know what a thrill it is being in the same physical space as one of your literary heroes. There’s a snap, crackle, and pop to the environment, particularly in his writing space.

Not surprisingly, we were all awed and humbled by the experience. And when I ventured into Brattlesboro later that week to score some souvenirs for my wife, I stuck my head into a number of the touristy shops that lined the downtown streets, and inquired as to something with the Kipling house on it. Universally, the shopkeepers all said “NO” so fast, I thought I had committed a venial sin. They each then went on to conditionalize their answer. One of them said, “No one has ever asked me that in twenty years,” which I found very hard to believe. Another one said, “It’s just so specific a request, I doubt I could sell anything like that.” Not even the bookstore had a T-shirt with Rudyard Kipling’s face on it. It was strange, to me, that aside from one of the bars and one of the two movie theaters, nothing else in town bore Kipling’s name, either. But after explaining to me why my request was so ludicrous, they all asked me the same question: “Don’t they have anything at the house?”

Well, not really. There was one free postcard that you could have, but it was a blurry picture of Kipling in the snow–in other words, I could have told people that it was Tolstoy and they would have believed me. No pictures, no drawings, no nothing of this big, magnificent house. No portraits of Kipling in ink or watercolor by local artists. No stationary. No nothing. And this is KIPLING, for crying out loud. The author of the Jungle Books.

But, on the other hand, I thought back on how Cross Plains was, some twenty years ago. And to an extent, even now, there’s a sizeable chunk of the population that we never see during Howard Days because they want nothing to do with us. As a destination spot, Project Pride has done an outstanding job of both preserving the house and making sure that people who visit have mementos to take away from the experience. But there are folks in Cross Plains who have never set foot inside the Howard House and are likely never to do so. Kipling’s home, a mansion of incredible breadth and scope, opens its doors twice a year and people from all over the globe come to see it. Reinactors play Kipling and read to folks from his study. It’s one of those kinds of places. Yet, most people in Brattlesboro have never even visited the house. It’s much easier to sell generic Vermont-based crap to the touristas (maple leaves, moose heads, and so forth) than it would be to make a Rudyard Kipling T-shirt. Why take that chance, when you can sell bottles of Maple Syrup in a booze flask, with a label that reads “NORTHERN COMFORT” (get it?) instead?

Mind you, I’m not campaigning for the Kipling House. That management company has its own agenda, and a postcard with an actual picture of the house is outside of their plans. But it makes me even more grateful that Project Pride is keeping the REH House maintained and the gift shop stocked.