REH Word of the Week: skein

skein

noun.
1. A length of thread or yarn wound in a loose long coil.
2. Something suggesting the coil of a skein; a complex tangle: a twisted skein of lies.
2. A flock of geese or similar birds in flight.

[Origin: Middle English skeine, from Old French escaigne, "a hank of yarn."]

HOWARD’S USAGE:

He knew men, and he knew that to gain his end he must smite straight with this tigerish barbarian, who, like a wolf scenting a snare, would scent out unerringly any falseness in the skein of his word-web.

[from "The Shadow Kingdom"]

Alton McCowen, R.I.P.

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Just received the following missive from Arlene Stephenson of Project Pride in Cross Plains:

Fellows, felt the guys would all want to know that Alton McCowen passed away late yesterday [Friday]. EMS picked him up, died shortly after from an aneurysm. We were all just kind of getting used to the fact that Joan [Alton's wife, and a founding member of Howard Days] had been diagnosed with lung cancer and getting lined up with treatment options.

No arrangements have been made yet. The home address is 15980 FM 880 S, Cross Plains, TX 76443.

Photo by Russell Andrew

Alton was an irreplaceable paragon to both Howard Days and the town of Cross Plains. I first knew him as Cross Plains Librarian Joan McCowen’s stoic husband, quietly moving in the background helping with all of the little tasks that go into making REH Days work. As I befriended more folks in Cross Plains, I learned that Alton was not just an occasional assistant to Project Pride, but an invaluable presence at the Howard House proper, doing much of the upkeep and restoration duties year-round.

Later still I learned of his artistic side, as it was he who had taken the old pickets of the replaced Howard House fence and begun making picture frames out of them to sell in the gift shop (that story was told by Era Lee Hanke in “Old Pickets Find New Homes” in The Cimmerian V2n4) — all of you lucky enough to have bought one of those while they were available have Alton to thank for it.

Photo by Russell Andrew

It was in 2002 that Alton hung around the festivities long enough for me to have my first real conversation with him. We talked for hours about the history of Cross Plains and Texas, and when Ed Waterman and I began asking questions about the flora and fauna of the region, he suggested we take a ride so he could escort us down the back roads and point out various landmarks. We drove away the afternoon with Alton showing us tinhorns where the old town had been, and the difference between things like live oaks and mesquite, and of course he made a point of showing us some post oaks & sand roughs, explaining to us neophytes their importance to the geography of the region.

Meeting Alton thus became the highlight of the weekend for me, and as a result I came up with the idea of arranging a yearly bus tour for REH Days attendees, with Alton as guide. Project Pride was enthusiastic about the idea, and so 2003 became the first year with a “Cross Plains Bus Tour.” Those of you fortunate enough to take one know how informative and entertaining they were. Amazing vistas of Cross Plains and environs, combined with a detailed knowledge of the region imparted by Alton in his laconic, inimitable manner.

Photo by Matt Herridge

In the last two years eye trouble prevented him from handling the guide duties the way he used to, and so locals Don Clark and Jack Baum, along with Howard scholars Rusty Burke and Mark Finn, picked up the slack. Now that Alton is gone, I hope those gentlemen will continue to run the tour Alton created for us. Perhaps they can call it “The Alton McCowen Bus Tour” in his memory.

Photo by Russell Andrew

I feel grateful that this summer I was able to spend several hours of quality time with Alton, catching up on Cross Plains gossip, listening to his vision and health woes and his many historical reminiscences, and especially looking at some wonderful old pictures of his family he had discovered, taken when he was just a boy, sepia photographs as clear and evocative as the ones we have of REH from the same time. We had a particularly great talk together — who knows, maybe because on some level he suspected it might be our last. In any event, it leaves me with strong, fond memories to remember him by, and that’s a priceless gift.

Photo by Russell Andrew

Back in 2002, after a weekend of getting to know each other, Alton approached me and my compatriots on Sunday morning, after Howard Days had ended, and gave us each a treasure: a long wood shingle from the original roof of the Howard House, specifically from the area right over Howard’s bedroom, shingles that many years earlier had quietly sat over REH while he pounded out his stories. Alton had patiently written a short note of provenance and signature on each one, and that year we went home with a piece of memorabilia that most fans never get to see.

I’ve since followed Alton’s example and given mine away to another Howard fan who I knew would appreciate and care for it, but I will never forget his gesture, or the many other kindnesses he bestowed upon fans over decades of work as a member of Project Pride. He will be dearly missed.

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Alton’s wife Joan (on left, with Anne Rone) must be devastated, and I’m sure she would appreciate any condolences thoughtful Howard fans would send her way. Use the address Arlene provides above.

MARK ADDS: Both Alton and Joan have been good, loyal friends of Howard fans over the years, giving of themselves over and over again, and not just during REH Days, either. Joan helped me on several of my own special projects, and I always enjoyed Alton’s stories and observations during the bus tour. He was also instrumental in helping me piece together the history of the ice house, which has become a feature during the walking tour. Rest in peace, Alton. You will be missed.

LEO ADDS: Here’s Alton’s obituary:

Alton McCowen, age 75, of Cross Plains, passed away Friday, August 24, 2007 in Abilene.

Funeral services will be at 10:00 a.m. on Monday, August 27, 2007 at Higginbotham Chapel in Cross Plains with Matt McGowen officiating; burial will follow in the Cross Plains Cemetery.

He was born to Raymond Alton and Donie (Scott) McCowen in Shreveport, LA on September 14, 1931. After graduation Alton joined the U.S. Air Force. He married Joan Thomas in Park Ridge, IL on March 31, 1951. After leaving the service they made their home in San Diego, CA where he worked at the San Diego Gas and Electric Company until 1977 when he retired and moved to Cross Plains. After moving back to Cross Plains, Alton then worked as a general carpenter and handyman.

He is survived by his wife Joan McCowen of Cross Plains; numerous cousins including, Burlie Paul McCowenof Abilene, Bobby Jack McCowen, Rubin McCowen, Charlene McGowen and Jimmy McCowen all of Cross Plains; and Bonita Horton of VA.

There will be a time of visitation and sharing of memories Sunday, August 26, 2007 at Higginbotham Funeral Home at 5:00 to 6:00 p.m.

In lieu of flowers donations maybe made to the Cross Plains Public Library, PO Box 333, Cross Plains, TX 76443.

REH Foundation News

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Paul Herman posted the following at all the usual locations:

Pre-ordering is now available for The Collected Letters of Robert E. Howard, Volume 2: 1930-1932. This volume has over 100 letters, and is well over 500 pages. This volume attempts to collect all known REH letters written during this time span. Several of these letters have never been published before, and many, many others have only been published in a redacted state, missing poetry, fiction, or other content. All that has been restored for this volume.

For those wishing to learn about REH, this is one of the core collections to have. REH talks politics, current events, and the occasional bohemian humor with his friends, rips into HPL over civilization v. barbarism, swaps Texas folklore with August Derleth, chats it up with editors and fans. A fascinating collection. It also includes another fine cover by Jim & Ruth Keegan.

This volume is off at the printers, and is expected to ship in late October / early November. Those who already have a copy of Volume 1, the same copy number in Volume 2 will be held for you. And of course those who have already paid for all three don’t have to do anything, we’ll ship as soon as they arrive.

As Paul mentions, this volume (as well as Volume 1) contains lots of previously unpublished/hard to find poetry and prose. Here’s a partial listing of items that appear in Volume 2:

The Autumn of the World (v)
A Tribute to the Sportsmanship of the Fans (v)
“Aw Come On And Fight!” (v)
The Song of the Sage (v)
Whispers (v)
Song Before Clontarf (v)
Ambition (v)
Whispers On the Nightwinds (v)
The Gladiator and the Lady (v)
Untitled (v)
The Mutiny of the Hellroarer
A Stirring of Green Leaves (v)
Lives and Crimes of Notable Artists.
Voyages with Villains
Rueben’s Brethren (v)
Mihiragula (v)
Belshazzer (v)
Timur-lang (v)
The Peasant on the Euphrates (v)
The Grim Land (v)
Who is Grandpa Theobold (v)
The Last Day (v)
Moonlight on a Skull (v)
Arkham (v)
A Weird Ballad (v)
Little brown man of Nippon (v)
The Toy Rattle Murder Case
John Brown (v)
Abe Lincoln (v)
John Kelley (v)
The Tom Thumb Moider Mystery
Dreaming in Israel (v)
Samson’s Broodings (v)
A Glass of Vodka
One Blood Stain (v)
Lines to G. B. Shaw (v)
A Mick in Israel (v)
Musings (v)

There’s also a pile of untitled items, several stanzas from “The Ballad of King Geraint,” and etc.

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Volume 1 contains an even more impressive list of poetry and prose (thanks to Bill Thom over at Howard Works for compiling the list):

The Campus at Midnight (v)
Untitled (“Slow shifts the sands of time . . .”) (v)
Untitled (“When Napoleon down in Africa . . .”) (v)
Neolithic Love Song (v)
Untitled (“The helmsman gaily, rode down the rickerboo . .”) (v)
Untitled (“Now bright, now red, the sabers sped among the racing horde . . .”) (v)
The Dook of Stork
Untitled (“Bill Boozy was a pirate bold”) (v)
Untitled (“Out of Asia the tribesmen came”) (v)
Untitled (“A clash of steel, a thud of hoofs”) (v)
Untitled (“A hundred years the great war raged”) (v)
Untitled (“Palm-trees are waving in the Gulf breeze”) (v)
Untitled (“Hills of the North! Lavender hills”) (v)
Untitled (“Dark are your eyes”) (v)
Slugger’s Vow (v)
Untitled (“I am the spirit of War!”) (v)
Untitled (“I lay in Yen’s opium joint”) (v)
The Bombing of Gon Fanfew (v)
The Sappious Few Menchew
The Post of the Sappy Skipper
The Bored of the Cow
When You Were a Set-Up and I Was a Ham (v)
Untitled (“And Dempsey climbed in to the ring . . .”) (v)
Untitled (“I tell you this my friend”) (v)
Untitled (“Mingle my dust with the burning brand”) (v)
Untitled (“Roses laughed in her pretty hair”) (v)
Untitled (“All the crowd”) (v)
The Dancer (v)
Destiny (2) (v)
Laughter (v)
Untitled (“We are the duckers of crosses”) (v)
Untitled (“The shades of night were falling faster”) (v)
Untitled (“Give ye of my best . . .”) (v)
Untitled (“Early in the morning I gazed . . .”) (v)
Eternity (v)
Serpent (v)
Shadows (3) (v)
Destiny (3) (v)
Adventure (2) (v)
Libertine (v)
Nun (v)
Prude (v)
Adventurer (v)
Poet (v)
Dancer (v)
Dreamer (v)
Sailor (v)
Cowboy (v)
Toper (v)
Girl (v)
Deeps (v)
Thor (v)
Mystic (v)
Orientia (v)
The Mountains of California (v)
Monarchs (v)
Lust (v)
The Alamo (v)
San Jacinto (1) (v)
Romance (2) (v)
Arcadian Days (v)
Twilight on Stonehenge (v)
Ocean-Thoughts (v)
Revenge
Legend
Where Strange Gods Squall (part 1)
Untitled (“Take some honey from a cat”) (v)
The Mottoes of the Boy Scouts (v)
Untitled (“Against the blood red moon . . .”) (v)
Untitled (“Toast to the British! . . .”) (v)
Where Strange Gods Squall (part 2)
Untitled (“What became of Waring?”) (v)
The Robes of the Righteous (v)
Untitled (“After the trumps are sounded”) (v)
The Road to Hell (early version, only lines 1-4, 24-28) (v)
Flight (early version, incomplete) (v)
Untitled (“The Baron of Fenland . . .”) (v)
The Fastidious Fooey Mancucu
Lilith (2) (v)
The Gods Remember (1) (v)
The Dreams of Men (v)
The Builders (2) (v)
The Road to Babel (v)
Memories (2) (v)
Wolfsdung
Untitled (“Keep women, thrones and kingly lands”) (v)
Untitled (“The world goes back to the primitive, yea”) (v)
Untitled (“I do not sing of a paradise”) (v)
Untitled (“Mother Eve, Mother Eve, . . .”) (v)
Untitled (“The east is red and I am dead”) (v)
King Hootus
Symbols (v)
Romany Road (v)
Love (v)
The Chant Demoniac (v)
A Man (v)
The Grey Lover (v)
Life (1) (v)
Untitled (“A typical small town drugstore . . .”)
Keresa, Keresita (v)
How to Select a Successful Evangelist (v)
The Choir Girl (v)
A Song of Cheer (v)
Repentance (v)
Untitled (“I am MAN from the primal . . .”) (v)
Untitled (“The spiders of weariness . . .”) (v)
The Dust Dance (various portions from (2)) (v)
Untitled (“Moses was our leader . . .”) (v)
Secrets (v)
The Dust Dance (portions from (1)) (v)
The Chinese Gong (v)
Untitled (“Ho, ho, the long lights lift amain . . .”) (v)
The Rump of Swift
A Young Wife’s Tale (v)
Lesbia (1) (v)
A Roman Lady (v)
Untitled (“They matched me up that night . . .”) (v)
Song of a Fugitive Bard (v)
Untitled (“A cringing woman’s lot . . .”) (v)
Nights to Both of Us Known (v)
A Warning to Orthodoxy (v)
The Ecstasy of Desolation (v)
A Song of the Anchor Chain (v)
The Ballad of Abe Slickemmore (v)
Song from an Ebony Heart (v)
Untitled (“Swords glimmered up the pass”) (v)
Rebellion (v)
A Great Man Speaks (v)
Yodels of Good Cheer to the Pipple, Damn Them (v)
Untitled (“He clutched his . . .”) (v)
Untitled (“Noah was my applesauce”) (v)
Untitled (“Let me live as I was born to live”) (v)
Untitled (“Adam’s loins were mountains”) (v)
The Ballad of Monk Kickawhore (v)
A Ballad of Insanity (v)
Untitled (“I hate the man . . .”) (v)
A Far Country (v)
Nancy Hawk, A Legend of Virginity (v)
Untitled (“Drawers that a girl . . .”) (v)
Untitled (“Tumba Hooey”)
to a Nameless Woman (v)
Untitled (“Scarlet and gold are the stars tonight”) (v)
Untitled (“Old Faro Bill was a man of might”) (v)
Untitled (“Rebel souls from the falling dark”) (v)
The Call of Pan (v)
Untitled (“A sappe ther wos and that a crumbe manne”) (v)
Untitled (“Sappho, the Grecian hills are gold”) (v)
Untitled (“Romona! Romona!”) (v)
A Fable for Critics (v)
Untitled (“My brother he was an auctioneer”) (v)
Flaming Marble (v)
Untitled (“Out in front of Goldstein’s . . .”) (v)
The Deed Beyond the Deed (v)
An American (v)
Untitled (“There’s an isle far away . . .”) (v)
Shadow of Dreams (v)
My Children (v)
Untitled (“The women come and . . .”) (v)
Silence Falls on Mecca’s Walls (v)
The Last Words He Heard (v)
Untitled (“Flappers flicker . . .”) (v)
Untitled (“I hold all women . . .”) (v)
Untitled (“Love is singing soft and low”) (v)
The People of the Winged Skull
Ancient English Balladel (v)
Untitled (“At the Inn of the Gory Dagger”) (v)
The Case of the College Toilet
Untitled (“And there were lethal women . . .”) (v)
Untitled (“A haunting cadence . . .”) (v)
Untitled (“Through the mists of silence . . .”) (v)
The Mysteries (v); Black Dawn (v)
The Path of Strange Wanderers (v)
At the Bazaar (v)
Untitled (“Hatrack!”)
Untitled (“By old Abe Goldstein’s . . .”) (v)
Bastards All!
Songs of Bastards
to a Roman Woman (v)
Ivory in the Night (v)
Untitled (“The iron harp that Adam christened Life”) (v)
to the Contended (v)
High Blue Halls (v)
An American Epic (v)
Black Seas (v)
Irony

Again, most of this stuff had never before been published.

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Paul also announced a series of Robert E. Howard postcards. Have a look here.

I Have No Words for This…

Wait a minute, this is a blog, who am I kidding? Of course I have words for this. But, since this is technically an all-ages kind of thing, I’ll hop briefly over to the other side of the Atlantic, where a choice selection of Billingsgate should meet my needs admirably.

Bollocks.

I was cruising the Internet when I stumbled across Michael J. Bassett’s site with his notes on the Solomon Kane movie, now in pre-production. Well, when I saw this piece of concept art, as a movie poster, I just about ruined my keyboard with a morning coffee spit-take. Here, you be the judge:

SK poster

I’m stunned, frankly, that a character as simple to translate as Solomon Kane could be so wrongly executed–on a movie poster. “Deal with the Devil?” Is he talking about Solomon Kane, or those whom Solomon Kane punishes–the brigands and pirates–Devil worshippers, all. Look at those two huge swords; why would you fight demons from hell with a rapier, after all? That’s too skinny for the job. And I wonder if those cartridge holders on his belt hold various gadgets and gewgaws to aid his fight against the forces of darkness.

What a wanker.

I was initially worried when Bassett sought the REH community out to introduce himself and immediately started defending his film. The reason: he’d written an origin story for Solomon Kane. On the basis that, you know, modern audiences wouldn’t understand him if they didn’t know where he came from.

I’ve got a Clint Eastwood trilogy of westerns on my shelf, and twenty years’ worth of Wolverine comics that say otherwise.

But, I let it go, since Bassett got assaulted on all sides by the fans, figuring that he’d get the idea and make a few changes. Not so. Like every other Hollywood-Insider-wannabe, he scoffed at what the fans were saying because they had no idea what goes into making a film, and since they all haven’t written scripts, nor dealt with clueless Hollywood executives, how on Earth would they know what works and what doesn’t?

Well, Bassett overlooked something (and shame on him if he’s even half the fan that he claims he is) vital: Fandom, at its very best, is hypercritical to a fault, but not necessarily wrong, either. And people are listening more and more to the Geek Nation, if the presence of Hollywood at San Diego ComicCon is any indication. Moreover, there are professionals, who are also fans, working on various REH projects that he could have consulted with or talked to. But he didn’t. He wanted to make this movie, and make it his way, and so we’re going to get pictures of a young man undergoing hardships to become Solomon Kane because, you know, that’s what REH intended all along, because it’s in that story…hey, wait a minute. Howard never wrote an origin story for Solomon Kane. Huh. I guess that he didn’t think it was necessary. And you know what? There are three generations of Solomon Kane fans who agree with the author of the character. I know that all fans are nerds; we all wear coke-bottle glasses, play D&D in the basement, and chortle madly over Monty Python references. But we’re also right most of the time. We know what we like. We know what we want to see. We know what we don’t want to see, because we’ve seen it all before.

Make no mistake, even if Bassett made a letter-perfect adaptation of “Red Shadows,” someone would bitch because the sash on Kane’s costume is too wide, or he’s not carrying a rapier, or N’Longa wasn’t that tall. But those would be nits to pick, as only a fan can pick ‘em. When you give Solomon Kane an origin story, and have him fighting monsters, how can you say this project is different than the horrible Van Helsing movie of two years ago? Or better yet, why not just make your own stock-formula historical monster epic and leave poor Solomon Kane out of the mix altogether? What’d he ever do to you, Michael J. Bassett?

Thoth-Amon, Lord Voldemort. Voldemort, Thoth-Amon

While re-re-re-rereading “The God in the Bowl” for an as-yet-undisclosed writing assignment, I was struck dumb by the realization that the unnamed reptilian agent of Thoth-Amon may well have been speaking in Parseltongue when he encounters Our Favorite Barbarian:

The full lips opened and spoke a single word, in a rich vibrant tone that was like the golden chimes that ring in the jungle-lost temples of Khitai. It was an unknown tongue, forgotten before the kingdoms of man arose, but Conan knew that it meant, “Come!”

Now, Conan, unlike Neville Longbottom, needed no special or otherwise enchanted sword to slay the oversize snake. But the beheading of Lord Voldemort’s serpent, Nagini, in Harry Potter and the Deathly Hallows has the same sort of triumphant finality as the final scene in Howard’s tale, written some 68 years prior. A symbol undone with a symbol, if you want to get really metaphoric about it (and I don’t).

Rowling used snakes as a symbol of treachery throughout the Harry Potter series. I was always intrigued with her idea that the snake motif was a representation of the old, pure-blood wizards. She never went so far back into the depths of antiquity, but if she did, would she run into the shape-changers who menaced a certain Valusian King of Atlantis? Who were only hinted at 12,000 years ago? Probably not. I think, rather, that snakes connect with the idea of antiquity, and also with cunning. They are an eternal symbol of menace, and so were a natural for the crest of the Slytherin house.

We know from several letters that Howard didn’t like snakes, but that didn’t keep him from employing them in the role of villain in various tales. When not coiling themselves around a hero like an elemental force of nature, they are carrying out the orders of their evil master, as in “Pigeons From Hell.” This, of course, is nothing new; snakes have long been a symbol of ultimate evil, going back to the writing of the Bible. Certainly Howard, nor Rowling, for that matter, can claim to have invented the idea of an intelligent serpent acting as a sidekick to a more powerful adversary. But it’s interesting to me that there’s some symbolic truisms that carry over no matter which writer is employing the trope. The cutting off of the serpent’s head is not unlike St. George slaying the dragon; many medieval dragons are described or illustrated as being serpentine, as well. As confrontations go, there’s really not many other ways to kill a snake, save the impersonal gun or car, and that really undercuts the mythic struggle of it all, doesn’t it?

No, evil is always best when grappled with hand-to-hand, when you know there’s something to be lost in the contest. Strength versus cunning. Direct force versus a slow and painful death. In the end, two good storytellers can drink from the same symbolic waters and come away with different tastes on their tongue.

Back to School

The school district that I work for has been fiddling with the calendar for a couple of years now — the end result has arrived: gone are the post-Labor Day start-ups of a traditional school year; they have been replaced with a mid-August return to books and homework and lunch lines. I won’t comment on the wisdom of sending kids (and teachers) back to school in the middle of August — the hottest month of the year in California’s High Desert. The “pre-game” meetings and scheduling, the lesson planning and room organizing have kept me away from the blog for a few weeks now, but my return to school got me thinking . . .

Robert E. Howard’s opinion of school is no secret to the fans who have studied his correspondence. In one of his most often published letters, Howard told Wilfred Blanch Talman (ca. September 1931):

I got through high school by the skin of my teeth. I always hated school, and as I look back on my school days now, I still hate them with a deep and abiding hatred. Outside of mathematics — at which I was a terrible mug — I didn’t particularly mind the studies, but I hated being confined indoors — having to keep regular hours — having to think up stupid answers for equally irritating questions asked me by people who considered themselves in authority over me.

I have often wondered what teaching practices were like in the 1920s, when Howard attended Cross Plains High School, and later Brownwood High — I’m sure that things were much stricter than they are now — but what could have caused Howard’s intense dislike for school? Was it as simple as what he told Talman? More than a year after his spring 1923 graduation from Brownwood High, Howard still had a bad taste in his mouth, as evidenced by a letter to Tevis Clyde Smith, dated January 30, 1925: “I see you are still as madly, passionately devoted to school, as blindly loyal to the faculty as ever. Ah, yes, I wish I were back in good old Bnwd. High — with a couple of bombs.”

Part of the reason, I’m sure, that Howard disliked school was the shenanigans of his schoolmates. I’ve seen for myself the ridicule that can be heaped on bright students by their less scholastically inclined brethren, but Howard doesn’t have much to say about bullying in his correspondence. He does, however, have a few things to say about students in general. In a circa January 1931 letter he explains to Lovecraft:

Take the average high school. Ten, or perhaps fifteen percent of the pupils go in for the grinding grill of competitive athletics; the rest do nothing in the way of building their bodies, or dissipating their natural animal spirits in wholesome ways. No wonder drunkenness and immorality are so prevalent among students. To the average boy or girl the accumulation of knowledge isn’t enough to spend their energy on — they can learn only so much, anyhow, and the Devil himself couldn’t teach the average pupil, with his undoubtedly limited capacity, very much, anyway. They must have a physical outlet, and since systematic sport denies this to all but a chosen few, the rest naturally turn to amusements less wholesome. This seems to be the trend of modern life, to me.

While Howard is largely silent on the subject of his classmates, he does, however, have something to say about his instructors. In a letter to H. P. Lovecraft, September 22, 1932, Howard describes his walk to school on a snowy winter morning. After having walked some distance in the snow, which caused his shoes and socks to be soaked, he hoped to warm himself by the stove, but such was not to be:

When I got to school, the teacher, who was enveloped in a fur coat, wouldn’t let us go to the stove to warm, because we generally got into a fight if we did. I sat there until noon, at the back of the room where the heat couldn’t reach, and I want to say that it was about as lousy a morning as I ever spent, viewed from a purely physical standpoint. It’s a wonder my feet hadn’t been frost-bitten.

Earlier that same year, May 24, 1932, Howard described another instance of teacher indifference to Lovecraft:

One day the teachers came out of the school-house to watch us play — a rare event. I happened to be wrestling with a friend of mine, and they stopped to watch us. I wished to make an impression on them — to show off, in other words. I wished for a worthier opponent — since I had thrown this particular friend forty or fifty times. And while I was wishing, suddenly and stunningly I found myself thrown! It never happened before, and it never happened again — at least, with that boy. I was shocked, humiliated, well-nigh maddened. I urged a renewal of the strife, but the teachers laughed mockingly and withdrew into their sanctum. I withdrew from public view, and broodingly contemplated my shameful defeat.

But the teachers weren’t the only thing about school that Howard disliked; the content of his courses also left a little something to be desired. In an August 21, 1926 letter to Clyde Smith, Howard berates the reading selections made for him by a nameless English teacher: “when one considers the confounded balderdash handed out to us as students, in grammar school, under the name of poetry! Shades of the creator of Mother Goose. I’ve about decided that the only American poets worth much are Sidney Lanier, Poe and Viereck; they are equal to any England ever produced.” One can only assume that these names did not appear on Howard’s course syllabus.

One thing that we know did appear was The Vicar of Wakefield, by Oliver Goldsmith. Howard’s book report on this title has been published, and it’s clear that he wasn’t fond of the novel. He remembered the book, and his school experience with it, to Lovecraft in a letter dated November 2, 1932:

I read this abomination [The Vicar of Wakefield] as a part of my high-school work, and in writing my report, I let myself go the only time I ever did in school, and gave my own honest opinion in my own honest words, allowing myself the freedom of frothing at the mouth. I expected to flunk the course, so many teachers being slaves of the established, but that particular teacher was a black-headed Irish woman who evidently entertained similar ideas on the subject to mine, and she gave me a good grade instead of the tongue-lashing I expected.

Despite his attitude toward school and his teachers, Howard did what was necessary to receive passing marks. He told Lovecraft, circa January 1934, “In high school I showed something of a knack for biology; certainly my science grades were infinitely higher than my English and literature grades. I have reason to believe that I had more capacity for biology than I have for literature. My teacher — who detested me as a human being but seemed to appreciate my laboratory work — suggested that I take up biology as a career.” But Howard wasn’t interested in Biology, he wanted the freedom that a literary career would provide.

In a letter received by Harold Preece — who was attending Texas Christian University in Fort Worth — on October 20, 1928, Howard said, “How is the university? Frankly, I know very little about the school and the little I do know is bad. But I’m prejudiced against all colleges — to Hell with them.” Despite this early opinion of higher learning, Howard would later agree that some college courses might have helped him in his chosen field. He told Farnsworth Wright, ca. June-July 1931, “I have only a high school education, and not a particularly elaborate one at that” and Wilfred Blanch Talman, ca. September 1931, “A literary course in some college would doubtless have been a help to me, but I never felt I could afford it, bedsides, college is too much like school to interest me much” and Lovecraft, March 6, 1933, “A literary college education probably would have helped me immensely. That’s neither here nor there; I didn’t feel that I could afford it, and that’s all there was to it.”

While his admission that college might have helped him is a bit surprising, considering his overall opinion of schooling, Howard’s resentments from his early schooling held strong. In the same letter to Lovecraft in which he makes the admission, he blasts his early experiences:

I might have liked college, but I hated grammar and high school with a vindictiveness that has not softened in later years. I didn’t spend too much time there, anyway; I didn’t start to school until I was eight, and I graduated at seventeen. No record broken there, but no time lost, either. I hated school as I hate the memory of school. It wasn’t the work I minded; I had no trouble learning the tripe they dished out in the way of lessons — except arithmetic, and I might have learned that if I’d gone to the trouble of studying it. I wasn’t at the head of my classes — except in history — but I wasn’t at the foot either. I generally did just enough work to keep from flunking the courses, and I don’t regret the loafing I did. But what I hated was the confinement — the clock-like regularity of everything; the regulation of my speech and actions; most of all the idea that someone considered himself or herself in authority over me, with the right to question my actions and interfere with my thoughts. Some of my teachers I liked, and those liked me; most didn’t. I complied with the rules of the school as well as I could, got up my lessons at least as well as most of the others, and was careful to cause the teachers no unnecessary trouble; beyond that I lived my own life, and fiercely resented any interference or regulation.

Howard continued to express his dislike of school to Lovecraft in July 1933:

Our feelings in school, again, differ. I hated school, not because any particular tyranny was practiced on me — I wouldn’t have stood for it, anyway — but simply because the whole system irked me. Sitting still in one place for hours at time got on my nerves. Having to go and come at certain times irked me; I hated for my actions to be controlled by the ringing of a bell. The fact that these things were necessary had nothing to do with it. School, any way it is looked at, was a restriction of my freedom. I accepted it as a necessary evil, and got through with it as quickly as possible, and I’ll never forget the wild and passionate feeling of relief that surged through me as I bounded out of the building where the graduation exercizes had been held, with my diploma in my hand, and halting on the lawn, expressed my pleasure at being through with school, and my opinion of the whole works in language more picturesque than choice. The passing of ten years has not dimmed that feeling in the slightest. Yet there was a good deal of comedy in my last year in high school; I look back on it, not with any pleasure, but with some amusement. I attended Brownwood High, and it was overcrowded — fairly flowing over with students. Next year they built a Junior High and took care of the surplus, but that year it was like a sardine can. We had to gang up, two or three to a seat in the main study hall. The Senior class was given separate study halls, but they were eventually abolished, because the students didn’t keep order any too well. Some of them were mean as the devil, but most were just exuberant kids, overflowing with a superabundance of vigor and animal spirits. My biology class was the biggest in the school, and all the unruly spirits that could got in there. The teacher was a poor misfit who didn’t know his stuff; that is, he was a good biologist, but he couldn’t handle students. They gave him hell. The very last day of school, for instance, while he was trying to lecture to the class, certain unregenerate spirits kept galloping past the door, firing various objects at him, such as old shirts wadded up and soaked with water, to the hilarious enjoyment of the class. At last he shut the door, and then they locked it from the outside and he had to telephone down to the janitor to come and open it. I had no part in harassing the poor devil; but he never gave me a square deal if he could help it, so I didn’t much give a damn what they did to him. The class in which I graduated was the biggest that had ever graduated from a Texas High School, up to that time.

I was much amused and interested by your account of your tilt with the English teacher concerning your astronomical essay. It was in truth a dramatic situation, and one I wish I’d had a chance to duplicate at some time or other. But the only place my stuff was appearing when I was in school was in the school paper — and some of it was barred from print by the teacher-censors on account of a certain Rabelaisian tang that would creep in in spite of myself.

I had a hell of a time with mathematics. I blundered through algebra, geometry and trigonometry without learning a blamed thing about any of them. The only reason I passed my last year’s math was a combination of luck and a teacher’s laziness. The final exam was split in half, part to be taken one day and part the next, the results to be added on the basis of 100; thus, if a scholar made 100 on the first exam, he was given 50, etc. the results of both exams to be added. I made 60 on the first exam, and came in the next day to take the rest of it. The teacher was there alone, to my surprize, leaning back with his feet on a desk. I told him I was there to take my exam. He asked me what I made; I told him; he said then my grade was really 30, and asked me if I could improve that in another exam. “Hell, no,” quoth I; “I worked the only problem in the book I could work, yesterday.” He then asked me what grades I made in other subjects — they ran something like this: English 80, science 100, economics 85. He allowed that we’d let it go and say nothing; and call my mathematics grade 60, which would pass me.

I never studied Latin much, and disliked it intensely; my old antipathy for anything Roman. The only reason I ever took it up was because I knew it would help me in Spanish; but I never got a chance to study Spanish. I had a short course in agriculture once, which interested me immensely, and I made very high grades in it, as well as in its various branching, such as the grafting of trees, etc.. But I was unable to continue it, and I’ve long ago forgotten all I learned. I’ve also forgotten what elementary science I learned, as well as the business English, commercial law and business arithmetic I learned in the business college. I generally made my highest grades in history and science, though I found the latter of scant interest, as a general thing.

If Howard’s recollections of his scores are accurate, and if he wasn’t bending the truth by saying that he didn’t apply himself to his coursework, he might have made an excellent college student, where he could pick and choose the courses he wanted to take and make his own schedule, which, I’m sure, would not have included a math class. Imagine that for a moment, a college educated Robert E. Howard. Without the benefit of a “literary college education” Howard created works of fiction that have stood the test of time, that have been translated into numerous languages, and that have been increasingly studied for their literary achievement. Would a college education have hurt his accomplishments or helped him to even greater fame? I guess we’ll never know.

Aw hell, I’ve got papers to grade.

The Last Legion

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Guest blogger Barbara Barrett gives us a head’s up on a new flick about to debut at theaters that might prove of interest to Howard fans:

BARBARA: Perhaps the time to bring some of REH’s characters to life on the silver screen is ripe. This is a new movie being released this Friday, The Last Legion. Have to wait and see how it does at the box office! This is a synopsis off its website. It has a pretty good, mostly British cast:

Rome, 476 AD. The Roman Empire, a mighty force for almost 500 years, is being threatened. On the eve of twelve-year-old Romulus Augustus’ crowning ceremony to become the new emperor, Barbarian general Odoacer arrives in Rome to make a deal with Orestes. Odoacer makes demands of the Roman Empire in fair exchange for his decade-long support of the Roman legions in the east. But Orestes refuses. On Coronation day, as all of Rome gathers to watch the proceedings, Ambrosinus, the shaman who is a mentor and tutor to Romulus, predicts danger. Orestes is worried about his son’s safety and appoints Aurelius of the fourth legion to be his personal guard. That night, Aurelius and his legionnaires confront danger–Odoacer and his army have returned to Rome. With a deafening roar, the Barbarian army storms the city. With Orestes slaughtered, Romulus is captured along with Ambrosinus and taken to the island fortress of Capri. But, not all the Roman legionnaires are dead. Aurelius is alive and when he learns that the Byzantine Empire will give Romulus sanctuary, he embarks on a journey to the coast accompanied by a small group of his men and a mysterious, black-clad Byzantine warrior. Later, Aurelius discovers what lies behind the black clothing–a beautiful, young woman named Mira. Thanks to the strategic cunning of Ambrosinus and the fighting skill of Aurelius and Mira, Romulus is freed. But, when the group arrives on shore, they learn that the Byzantines have joined forces with Odoacer’s army of Goths. Faced with such betrayal, they must find the one legion still loyal to Rome–the ninth legion in Britannia. As they set off in search of the last legion, Romulus and Aurelius together embark on a new beginning.

Actors
Colin Firth as Aurelius
Ben Kingsley as Ambrosinus
Aishwarya Rai as Mira
Thomas Sangster as Romulus Augustus
Peter Mullan as Odoacer
John Hannah as Nestor
James Cosmo as Hrothgar
Alexander Siddig as Theodorus Andronikus
Rupert Friend as Demetrius
Iain Glen as Orestes
Murray McArthur as Tertius
Nonso Anozie as Batiatus

Also Known As: Last Legion, The Enchanted Sword

LEO ADDS: I dig the tagline: “Before King Arthur there was Excalibur.” It’s getting pretty bad reviews at Rotten Tomatoes, but so do a lot of halfway decent S&S movies. Heck, if I had some popcorn and a few beers to hand, I’d download it….

REH Word of the Week: piker

piker

-noun [slang]
1. a person who does anything in a contemptibly small or cheap way.
2. a stingy, tight-fisted person; tightwad.
3. a person who gambles, speculates, etc., in a small, cautious way.

[Origin: 1275-1325; Middle English: petty thief, equiv. to pik(en) to pick + -er.] In America, dates from 1860s when poor migrants from Pike County, Missouri traveled to California.]

HOWARD’S USAGE:

“I’m through and I’m takin’ down my stake! You gits no more of my money, damn you!”

“Why, you cheap-heeled piker!” I roared. “I thought you was a sport, even if you was a hossthief, but–”

[from "Evil Deeds at Red Cougar"]

Cross Plains Review on microfilm

Just an FYI — there was a short bit in a recent Cross Plains Review that noted the library had begun amassing a collection of old issues of the newspaper on microfilm for researchers to use. That’s good news: the more people that hunt through those back issues, the more REH related material we are likely to find.

This was forcefully brought home at the Caddo Peak BBQ at this year’s Howard Days, when some of us got to see a previously unknown photo of Dr. Isaac Howard, by far the youngest we’ve ever seen him, which had been found in a late 1930s issue of the Review which had been stored in a trunk for seventy years.

What other treasures still lurk within those pages? With microfilmed copies at the town library, it should prove easier to find out.

Joe Lansdale checks in…

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…with some comments on my response to his article on Almuric from a few weeks ago.

JOE: I enjoyed Leo Grin’s comments on my comments on Almuric. I really like Howard and I really like Almuric, so let’s get that up front. I wasn’t being demeaning in any way. I think this wasn’t his best work, but I find it appealing, and it is a favorite of mine because of the type.

But I think most male fiction is a yearning for adventure, and it’s a little boy’s yearning all dressed up in daddy’s clothes. Only daddy never wore them where we want to go with them. It’s why we became professional writers. Howard wrote about realism from the standpoint of little boy desires and fantasy. I think all writers do that, males anyway. I don’t care if it’s got guns and shootouts and death in it. It’s always about a yearning for adventure or a pain at the loss of innocence, and the desire to be pure and young again.

It’s all the blood and thunder that makes this stuff adventure that may not necessarily be for boys, though it is primarily, but makes it wish fulfillment. Killing enemies and seeing all that blood is what keeps teenagers buying Fangoria, as well as some of us who still visit that part of us. It’s not a put-down, it’s just simply, from my viewpoint, the way it is.

Virgins may have been an overstatement, but it has that feel of “Wow, I never knew sex until the hero came along, and I’m so willing, and he’s so wonderful and ravishing.” Nice, but, adolescent still.

Also, it’s just an opinion. Nothing to loosen the bowels over; opinions are, as they say, like assholes, and everyone has one, and from time to time opinions make assholes of us all. I plead guilty. But this was a heartfelt piece, and how I see it. You can see it another way, and that’s okay.

Keep on reading.