
The new sword-and-sorcery anthology from Rogue Blades Entertainment, Rage of the Behemoth, has hit the streets (and my mailbox). In this newest offering from RBE, editor Jason M. Waltz has upped the ante. Overall, this collection of S&S tales exceeds its worthy predecessor in both quality and consistency. Waltz’s theme for this book is that each protagonist must face a “behemoth”; in other words, a “large monster” of some sort. Despite my initial scepticism, the idea works well.
Right off the bat, Rage of the Behemoth just looks better than its older sibling. Johnney Perkins turned in an eye-catching painting for the cover of The Return of the Sword. His work on the multiple covers for Rage of the Behemoth is another big step forward for him. Waltz has also enlisted the talents of the Frenchman, Didier Normand, for the multiple covers featured in this edition. Normand’s art is obviously influenced by Frank Frazetta (which Normand admits). However, Normand not only captures, to an extent, the look of the Michelangelo of Brooklyn, he also does a good job of capturing the feel and energy of Frazetta (in my humble opinion). At his best, Normand reminds me of the late-’70s Ken Kelly. I’ll be keeping an eye on this guy. Interior artist, John Whitman, turns in some solid line-work for the book, but I found myself wishing that the inking was a bit better.
Cimmerian alumnus, Mark Finn, provides the introduction for this volume. His lead-off sentence, a true keeper, is, “Mock Sword and Sorcery at your own peril.” The rest of the intro maintains that standard and tone. John O’Neill, publisher and editor of Black Gate magazine, turns in a good foreword.
Just to get it out of the way: the first two stories in this book are not really worth reading, in my opinion. The good news is that all the rest, to one extent or another, most definitely are. Let’s get to ‘em… (Continue reading this post)