The campfire has gone out
Friday, June 11, 2010
posted by Jim Cornelius
I admit I was a bit taken aback a few months ago when Deuce Richardson approached me about writing for The Cimmerian. My first impulse was to turn him down.

I admit I was a bit taken aback a few months ago when Deuce Richardson approached me about writing for The Cimmerian. My first impulse was to turn him down.
I came across Robert E. Howard’s writings during my early adolescence. Probably like many other readers, the barbarian with gigantic melancholies and gigantic mirth was first, but thanks to a public library shelving NéO books translated in French by François Truchaud (some Clark Ashton Smith volumes from the same collection were on the shelves too); I found out early that Howard had written in other genres. I read these books voraciously and was hooked. JRR Tolkien came next –The Silmarillion being my introduction to the professor’s œuvre. Also, like Howard, I ‘m fond of historical adventures. His vivid stories probably were a part in my early interest in history, which I studied later.
Damon C. Sasser just picked up the latest issue of the Robert E. Howard: Two-Gun Raconteur journal from the printer. It will be available at Howard Days 2010 on June 11.
Since the announcement of the fourteenth issue of the TGR journal on TC last April, Damon has posted some updates on its contents, which will be detailed below.
Above, you can see Michael L. Peters’ cover featuring El Borak. Two of his drawings from a four-plate Solomon Kane portfolio based on “The Hills of the Dead” are also illustrating this blog entry.
I’ve often lamented that, despite there being no less than four films released which claim to be based on his work, none could truly be considered an adaptation. The world of television was not much better, with the three Conan programs virtually unrecognizable as Howard’s creation. It would seem that despite the hundreds of stories and eighty years’ worth of influence on many genres of fiction, there hadn’t been a single professional adaptation of a Robert E. Howard story.
Like many people who’ve been part of The Cimmerian weblog for longer than I, I’m saddened to the point at which it’s hard for me to find words at its closing. It was a privilege to write and post on the same weblog as Steve Tompkins, Deuce Richardson, Brian Murphy, Al Harron, Barbara Barrett, Morgan Holmes, Miguel Martins and so many others. I’ve learned a lot from their articles and enjoyed them all hugely; they were welcoming when I came aboard and helpful all the time I was part of the blog.
Robert E. Howard was always a favourite writer of mine and one of the world’s great story-tellers, but I didn’t realise how very little I really knew about him until I started following this website and other REH-oriented ones. I’ve encountered more cogent thinking and perceptive criticism here than you’d be likely to find, I suspect, in the average university lit lecture room. And a lot less academic pretentiousness.
I think I’ll take fresh insights away with me, and fresh motivation for my own writing. That’s quite a bit more than I was able to give, but if people enjoyed my posts, I’m very glad. And thank you.
And all I’ve done for want of wit, to memory now I cannot recall.
So fill to me the parting glass. Goodnight and joy be with you all.
- Keith Taylor
Although The Cimmerian’s days are numbered, the legacy and works of Robert E. Howard will live on and on. The TC print journal and its accompanying blog did their part to preserve his legacy, and I was proud to be a part of it, but we were literally laboring in the shadow of a giant who will continue be read for as long as the world exists.
With my days as a TC blogger winding down I thought I’d get back to the reasons why I (and perhaps if I may be so bold, extend that to the plural we) love the life and works of REH—and why he continues to enthrall us.
“You are free to start whenever you want. No rules or regulations, just go for it. Any news items that crop up on the lists should be posted, as well as any new Howard projects or gossip. You can comment on your new REHupa, can muse a bit about some story or letter you’ve read recently, can review new books and products from others. Any other fantasy, Texan, or other related writers can be discussed, keeping in mind that Howard should at least ostensibly remain the focus of the blog.”
– Leo Grin, email, June 2006
Leo Grin set out the rules almost from the beginning. Though the Man from Cross Plains would remain “at least ostensibly” the focus, The Cimmerian web log was not only about Robert E. Howard. As early as the fourth post, signs of its broadening scope were appearing, and within its second year, it had truly become “A Website and Shieldwall for Robert E. Howard, J.R.R. Tolkien, and the Best in Heroic Fantasy, Horror, and Historical Adventure.”
Last year, Bill Thom won the first Munsey Award, given “to a deserving person who has given of himself or herself for the betterment of the pulp community, be it through disseminating knowledge about the pulps or through publishing or other efforts to preserve and to foster interest in the pulp magazines we all love and enjoy” for his hard work on Coming Attractions, an indispensable resource on Pulp-related news that I peruse each week and where I found dozens of news items to announce on The Cimmerian these last six months. This year, essayist (and Cimmerian journal-contributor) Don Herron is nominated. Don Herron authored several seminal pieces on Robert E. Howard –you can read Brian Murphy’s appreciation of Don’s “milestones in Howard studies” here on the Cimmerian blog.
Besides his literary criticism about the Bard of Cross Plains, Don Herron is also an authority on Dashiell Hammett, Charles Willeford, Philip K. Dick and the Emperor of Dreams, Clark Ashton Smith. He created the Dashiell Hammet Tour in 1977 and has lead Hammett aficionados through San Francisco every year since then.
TC editors advertising (I refuse to use the term “pimping”) their personal literary items for sale has a long history here on the blog. Check out this post by Leo Grin (and several subsequent).
Times are dire here in serpent-haunted SEK. Musing on such, a decision was reached by yours truly. Time to lighten the load for the journey into the future.
THE SHIPS OF HY-BRASIL
Part 2 of 2
In Part 1 of “The Ships of Hy-Brasil” we learned that Howard’s poem “The Isle of Hy-Brasil” is more than a historical narration of this island and its myth. As stated previously, “Isle” essentially describes the many types of ships anchored along its shores. To envision the beauty of this ancient island shoreline when lined with these ships, pictures of each ship type as well as a description have been added below. The ships discussed in Part 1 include the galleon, the coracle, the trireme, the galley, an ancient barge-boat, and the pirate ships: the brigantine, the caravel, the carrack and finally the frigate. Part 2 begins with the bireme.
And there’s a sturdy bireme that sailed to the Holy Land.
The Bireme
The Bireme is a galley type ship with two bank of oars that was especially used by the Greeks and Phoenicians. The ship had a hull of wood and was used for both shipping and naval warfare possibly as early as 350 bc It was configured with a single square rigged sail, short mast. The two banks of oars provided man-powered propulsion in case of calm waters or for better control in battles. The bronze armored ram on the bow of the ship was designed to be driven deep into an enemy ship. In addition to the small number of crew required, there could hold as many as 45 sailors during combat as well as additional fighting men on the main deck who were ready to board enemy vessels that had been rammed. Top speed was approximately seven knots.