Collecting REH: Spring 2010 Market Report

The Darrell Richardson copy of A Gent from Bear Creek sold for a record $11,000.

The recent Adventure House auction of the Darrell C. Richardson collection had some mixed results, but overall prices for Howard-related publications, particularly the scarcer items, were very strong. The Richardson copy of A Gent from Bear Creek sold for $12,100, likely a record for a mass-produced REH collectible. The scarcer pulps also did quite well, as did some of the fanzines. The Gnome Press and Arkham House books were somewhat flat, however, and the Richardson copies of Skull-Face and Others and Always Comes Evening failed to meet the reserve.

(Continue reading this post)

Blood Brothers — the violent visions of Robert E. Howard, Cormac McCarthy and James Carlos Blake

It may seem a stretch to proclaim kinship among a pulp writer of the 1930s , a Los Angeles Times Book Award winner, and the most acclaimed author of the turn of the 21st Century.

While a case can be made that Robert E. Howard at the height of his powers can run with the big dogs of more “mainstream” literature, it is not my purpose here to argue over anyone’s relative literary merit. No, I call Robert E. Howard, Cormac McCarthy and James Carlos Blake kinsmen of a deeper order — brothers in blood.

Surely you will never find more sanguinary tales than those wrought by these three hard men. Yet it is not mere body count that links them. These are men of singularly compelling vision, men who know that violence is the raw, beating heart of the human condition.

(Continue reading this post)

Brian Leno Now Posting at the TGR Blog

A Cimmerian Award-winning Howard scholar is now posting at the TGR blog.  Brian Leno is blogging at Publisher’s Journal, the Official REH: Two-Gun Raconteur Blog.

 From 2006 through 2008, Brian made seven contributions to The Cimmerian, including two of my personal favorites, “Lovecraft’s Southern Vacation” and “Down the Rabbit Hole” (for which he won the First Place  for Outstanding Achievement, Essay).

 Brian is also a regular contributor to REH: Two-Gun Raconteur.  So if you enjoy Brian’s writing as much as I do, mosey on over the Publisher’s Journal blog and check it out.

 Brian just posted a new entry, and here are links to his first two posts.

Leno and Damon Sasser came out of the gate on January 1 firing on all cylinders and have kept the blog entries coming ever since. It’s great to see another REH blog out there and I wish them the best.

Four Robert E. Howard Books in Kindle Editions

Halcyon Press is a Texan publisher based in Houston. Under the series name of ”Halcyon Classics,” it is publishing a line of Kindle eBooks. Kindle is Amazon’s digital wireless reading device. Several books by TC’s favorite Texan author are now available.

(Continue reading this post)

Pulp Collecting and REH, Part 5

The February 1934 issue of Strange Detective contained two Howard yarns.

Previous installments:
Pulp Collecting and REH, Part 1
Pulp Collecting and REH, Part 2
Pulp Collecting and REH, Part 3
Pulp Collecting and REH, Part 4

The early years of the Great Depression were not kind to the pulp industry. Several titles that had been steady markets for Howard were cancelled in 1932 and 1933. The publisher Fiction House had gone out of business taking with them two titles that had been regularly publishing Howard’s boxing yarns, Fight Stories and Action Stories. Strange Tales and Magic Carpet, two other venues for Howard also folded during this period. While Weird Tales continued to publish Howard’s work, their payments were often sporadic and late.

Howard’s response to this situation was to branch out into new genres, looking for unexplored markets in which to sell his yarns. hard-boiled detective fiction had always been a popular genre for the pulps and Howard began to try his hand at it in 1933, often mixing in the weird or supernatural elements with which he was so familiar.

His first published detective yarn, “Black Talons,” appeared in the December 1933 issue of Strange Detective Stories. This was followed by the introduction of Howard’s recurring character Steve Harrison in “Fangs of Gold” published in the February 1934 issue of the same title. That same issue contained a second Steve Harrison story, “The Tomb’s Secret,” but since it appeared in the same issue as “Fangs of Gold” the name of the main character was changed to ‘Brock Rollins’ and Howard used his pseudonym Patrick Ervin. Both Strange Detective issues are very scarce and quite pricey. The December 1933 issue guides at $300 in Very Good and the February 1934 issue guides for $200.

(Continue reading this post)

Four-Volume Boxing Set Forthcoming From the REHF

finn-NOTOver on the Official Robert E. Howard Forum, Mark Finn (at right) let the bulldog out of the bag. Here’s what he had to say…

 

(Continue reading this post)

A Review of REH: Two-Gun Raconteur #13

My copy of REH: Two-Gun Raconteur #13 came in the post on the same day that a long-awaited guest arrived. Due to previously scheduled essays, I’m only now getting around to singing this issue’s praises. Morgan Holmes has already weighed in on the REHupa site, but I hope that this review will complement his.

I must admit that I never read the earlier issues of “TGR” when they were published back in the 1970s. I was but a wee lad back then. However, I have perused the “Out of Print” section on Damon C. Sasser’s website. REH: Two-Gun Raconteur has always been a worthy publication, mixing real Howardian scholarship, quality art and fannish fun. That was definitely my impression when I bought the first “relaunch” issue in 2003.

REH: Two-Gun Raconteur #13 greets you with a full-color cover depicting Kull and Brule whaling away at serpent-men. Sasser went with color covers (one of the advancements of civilization we can all be thankful for) a while back. That move got my unequivocal support at the time, and this cover changes that opinion not one whit.

blackcoastpress-rehtgr13-389x516

(Continue reading this post)

Charles Saunders unearths an old REH essay

reh_boxing_codpiece

Fantasy author Charles Saunders wrote a lot of essays about REH in the Sword-and-Sorcery boom years of the 1970s, but this week on his blog he presents one that for whatever reason never made it into print at that time. It concerns a subject as dear to his heart as it was to REH’s: boxing. Titled “Ringside at Cross Plains,” it should make for a fine bit of Sunday reading for all of you Cimmerians out there.

REH Word of the Week: cauliflower ear

cauliflower_ear.jpg

cauliflower ear

noun
1. An ear that is swollen, hardened, and deformed from extravasation of blood following repeated blows, resulting in an irregular thickening of scar tissue. Common among boxers.

[Origin: 1905-10, Americanism]

HOWARD’S USAGE:

He was hairy and his muscles swelled like iron all over him, miner’s style, and his naturally hard face hadst not been beautified by a broken nose and a cauliflower ear. Altogether, Biff looked like what he was — a rough and ready fighting man.

[from "Texas Fists"]

The Kid Is Back

lott.JPG

Back in the September 25, 1931 issue of Sport Story Magazine, readers were introduced to Robert E. Howard’s other boxing giant, Kid Allison, in a story entitled “College Socks.” Allison was created specifically for Sport Story, as they had expressed an interest in the Sailor Steve Costigan yarns then running in Fight Stories, as Howard told Tevis Clyde Smith in a letter ca. January 1931:

Street & Smith wrote me, wanting to take over the Steve Costigan series for their magazine Sport Stories, which they say is a bi-monthly. I told them I expected that Fight Stories would want to keep Steve, but offered them another prize-ring series instead. I hope they’ll accept.

Rather than move Steve to Sport, Howard created a new hero, thereby doubling his boxing story income. Or so he hoped.

Howard invested some time in his new creation, as evidenced by his comments to Tevis Clyde Smith, ca. April 1932.

Hear ye the tale of “Fighting Nerves”. I wrote this story — a Kid Allison yarn — as a complete novelet for Sport Story. I wrote it, I think, three times, before I sent it off. Back it came with the request to cut out the saloon atmosphere and reduce the length. I re-wrote it and returned it to the same magazine. It came back with the statement that they were all stocked up with fight stories — requested me to keep it several months and return it, with a letter reminding them of it. Not wanting to wait that long if I could help it — a natural desire of a penniless adventurer like myself — I rewrote most of it, changing the names of the characters, and sent it to Fight Stories. Back it came with the request to cut it down in length. I rewrote it and sent it back. Back it came, with the remark that it was acceptable, but that they couldn’t find a place for it just then. I should keep it a month or so, and then they’d like to see it some more. So I sent it to Sport Stories, with a letter reminding them of what they had said. It was returned with no explanation — merely a rejection slip. So I sent it to Fiction House — and back it came with the statement that Fight Stories had been — or was going to be — taken off the stands.

Despite Howard’s efforts, Sport Story only bought three Kid Allison yarns: the aforementioned “College Socks,” as well as “The Man With the Mystery Mitts” and “The Good Knight” — these are, arguably, the best three of the series, which totals ten. With the publication of “The Good Knight,” in the December 25, 1931 issue of Sport, Kid Allison was down for the count, and he would not return until May 1975.

fc3.JPG fcross7.JPG

Jonathan Bacon applied the smelling salts. Fantasy Crossroads began publication in November 1974 and, in its third issue, dated May 1975, began reprinting the Kid Allison series. All three of the Kid’s adventures appeared in Bacon’s fan magazine: “The Good Knight” in issue #3, “Man With the Mystery Mitts” in #4/5, and “College Socks” in #7, dated February 1976. Later that same year, “The Good Knight” appeared on the paperback racks in Zebra’s The Second Book of Robert E. Howard. The following year this same tale was reprinted in the Orbit book Robert E. Howard Omnibus, then again in the Berkley reissue of The Second Book of REH from 1980. And then the Kid went down for the long count.

Around the time Zebra was publishing the Kid, Glenn Lord’s The Last Celt was hitting bookstores. In the “Series Index,” under “Kid Allison,” ten stories are listed. Besides the three published yarns, readers of Lord’s “bio-bibliography” were tantalized by the following: “The Drawing Card,” “Fighting Nerves,” “Fistic Psychology,” “The Jinx,” “The Texas Wildcat,” “A Tough Nut to Crack,” and an untitled story beginning “Huh? I was so . . .” While this is plenty of material for a chapbook or two, when the dust of the Howard Boom settled, it was all still unpublished. The Cryptic explosion came and went without putting a dent in the Allison series. Even Boxing Stories, the latest collection of Howard’s ring tales, included only the most readily available — and probably the best — of the Allison yarns, “The Good Knight.” It seemed the Kid was permanently retired.

boxing-stories.JPG

Finally, more than 30 years since that first glimpse at those intriguing titles, Kid Allison is back in the ring. The publication of The Last of the Trunk (a title which is not altogether accurate) collects all of the Kid Allison tales that haven’t seen the light of day before. Finally, Howard fans can read “Fighting Nerves” — the story Howard rewrote several times — which is not, sad-to-say, the Kid Allison version, but its final “Jim O’Donnel” incarnation.

So, the Kid Allison collection is finally complete. Ironically, two of the three best tales in the series remain out of print, moldering in the pages of Sport Story Magazine and Fantasy Crossroads, two publications which aren’t exactly cheap — or easy to come by.